Tommy Kramer Coaching Tip #672: A Voice-Tracking Lesson — inspired by Clint Eastwood

Actor and film Director Clint Eastwood is famous for doing as few “takes” as possible. There’s an interesting story about that.

Once, an actor who was dissatisfied with his first effort asked Eastwood is he could have another try.

Clint then asked, “Was there film in the camera?”
The actor, a bit puzzled, got a nod from the cameraman, who answered, “Yes.”
Eastwood then said, “Print it. Let’s move along.”

Lesson: when you’re voice tracking, don’t try to make it perfect or flawless. If it’s a good take, move along. WAY too many voice trackers sound “canned” because of too many takes. We want to sound real and in the moment.

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Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2026 by Tommy Kramer. All rights reserved.

Frost Advisory #816 – A Programming Lesson From Artemis II

The launch of Artemis II was a really big deal in Florida where I live. After all, it was the first crewed flight beyond low Earth orbit since the Apollo program before most of us were even in high school.

They estimate that almost half a million folks watched in person from the Space Coast. The launch could be seen in backyards and roadways all the way from Jacksonville to West Palm Beach and throughout Central Florida.

Everyone was talking about it. (The photo is of a rocket launch seen from my front yard).

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Frost Advisory #815 – I’m Saving Lives

Rarely do you hear guys brag about their urologist. Based upon the bumpy road I’ve had the last several years in that medical department I’m eager to brag on mine. (I’m fine now. Thanks for asking).

My recent annual exam went swimmingly wrapping up with “the glove.” In the man-to-man chit chat that ensued I awkwardly asked, “How can you do this procedure every day of your life?”

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Tommy Kramer Coaching Tip #670: The End of a Legend

If you’ve followed these tips, you know that I’ve frequently referred to a morning guy in my hometown of Shreveport, Louisiana. His name is Larry Ryan, my first mentor, and he’s as good at connecting with an audience as anyone I’ve ever heard in any size market.

“Lovable Larry” did his show with his sidekick “Mr. Weather” for well over 50 years, with consistently fine ratings. Continue reading

Tommy Kramer Coaching Tip #669: What is there to come back for?

Years ago, I traveled to Indiana to work with a morning show there. It didn’t take long to spot the fundamental weakness of the show – the guy was basically just allowing his female partner to be his live “laugh track.” And the Content was weak to begin with, some lame ‘prep sheet’ type of stuff and what he thought were jokes.

The problem was, she was much better than he was.

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Frost Advisory #813 – Standing In The Same Place Looking In The Same Direction At The Same Thing

What do you see in this picture?

Some will just see four guys and a lady standing on the curb. Not a very compelling picture, either, with the faces of the lady and the guy in the blue jean jacket not even visible.

Others will recognize those four lads as the Beatles, but don’t realize the photo’s significance without the context of when it was taken.

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Tommy Kramer Coaching Tip #668: The 3-Break Litmus Test

People often ask me what I listen for as the coaching process begins. There are many facets to an air talent, but I can learn where we need to start by hearing three breaks.

[1] A straight “station business” break. Does this person sound like he/she actually gives a cr*p?

[2] (For music radio) A short break, say, over a brief song intro. Does that person attempt to do anything, or does he/she just do a basic intro? Continue reading

Frost Advisory #812 – The Moral Of The Story

Here’s a clever tip that can help you figure out a couple of things that are really important.

  1. WHY. Why is this something on your station in the first place? Maybe it’s a piece of content from your morning show team. Perhaps it’s a promotion or marketing campaign. A news story, a weather forecast. You get the point.
  2. HOW. Is it done in a way that effectively communicates the moral of the story? Bad stations choose content poorly. Great stations do content that reveals, even in subtle and indirect ways, the purpose of the station.
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