This is a recurring theme that I’ve dealt with before, but it seems to be metastasizing…again. It’s this thing; this all too typical “tease”….

“Listen up – this is something you’ll want to hear.”

No. I already don’t want to hear it.

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After you get to a certain stage in your career where you’re confident in what you’re doing, you have a certain “flavor” that you bring to the show – and it’s working; you’re successful – how you get even better is when you show more dimensions.

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Years ago, the great comedian Norm MacDonald was fired from doing the “Weekend Update” on Saturday Night Live. It was because one of the higher-ups at NBC was friends with O. J. Simpson, and he demanded that Norm stop doing jokes about the ex-football player and accused murderer.

After that, Norm was on Late Night with David Letterman, wondering and griping a bit about getting fired. But Norm also quoted something that Letterman had told him about the bosses of network TV –

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Major league baseball runs a commercial during a change of innings that says, “Every good player knows the value of a coach.” And that’s true, but I think the opposite is true, too – every good coach knows the value of a great player.

A lot of good coaching is just staying out of the way, or just gently carving at the edges of things – because…they’re good. They don’t need a lot of, “This is how we do this.” In radio/TV/Voice acting, it’s more about “This plays to your strengths more,” or “It’s better if you stop here instead of adding one more thing.”

Coaching is a two-way street. Hard to do on your own.

It’s important to take stock sometimes, and wonder “How did this happen?”

Case in point, promos for a show playing DURING that show. Yes, I know, TV does it all the time — to the unheard voices of people screaming, “I’m watching the show NOW!” at their TV screens.

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A generation – maybe more – of young people wanted to “Be Like Mike” (Michael Jordan, of course) when I was younger.

In the radio arena, I wanted to be like Larry Ryan. Larry’s a legendary morning man in my hometown of Shreveport, Louisiana. And besides a terrific, inviting voice and a laugh that makes YOU laugh, Larry embodied what I wanted in my life – to be successful, well-liked, and have a long career.

So, as everyone does, I did my best “impression” of Larry.

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Once, years ago, I decided to audition for a Talk station in Dallas. A friend of mine said that they had an opening, and at that time, I had never done Talk.

So I fashioned a “sample plate” of subjects I thought would work, and sent it to the Program Director.

Boy, was I wrong. Continue reading →

“The Dean of Science Fiction writers” is the title given to Robert Heinlein, author of “Stranger in a Strange Land,” “Starship Troopers,” and the wonderful book “Time Enough for Love” – among many others, was both an author and aeronautical engineer. That led to amazingly predicting many things that we now take for granted in the real world.

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A very talented woman I’ve coached on and off for years faced a challenge recently with a station’s Program Director wanting the air talent to do “teases” of what they’d be talking about a few minutes later.

So, she reached out, asking how to handle it. Here’s part of what I sent her, with a couple of added thoughts… Continue reading →

Many Music Radio Program Directors who were too late for the Top 40 wars really don’t understand how proper formatics work – or even what they ARE.

Example: If you wait for that last LOGICAL moment to start the next song, then talk (or where the next element, like a “sweeper” or Imaging piece should hit), you… Continue reading →