When a break is too wordy, you have to rush. And that’ll usually mean you’re going faster than the song, which the listener may not consciously think about, but the ear notices.

Being concise cures this. Only do what fits, conversationally.

Follow this rule: if what you want to say won’t fit over an intro, SAY LESS. Being concise is an art. When it comes to Content, the person who doesn’t waste the listener’s time wins.

Talk radio hosts: you might want to think about being more concise, too. Beating a subject to death doesn’t work as well as a more concise, better organized statement. Past a certain point, you’re in danger of just coming across as a loud, droning noise.

Remember…
The most recorded song in our lifetime is “Yesterday” by the Beatles. It’s only two minutes long.

The most quoted speech in history by an American President is the Gettysburg Address. It’s also the shortest.

The most powerful piece of scripture in the Bible is only two words long.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2020 by Tommy Kramer. All rights reserved.

Every once in a while, the subject of doing teases comes around again.  Such was the case recently with one group of stations I work with. So here are the teasing dos and don’ts…

DO tease:
A chance for me (the listener) to win something.
A feature of the show; a benchmark.
A guest coming on.
Information about a station event or a specific website/You Tube/social media feature.
A new song by a Major (core) artist.

Do NOT tease:
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Something I get asked about a lot is how you make a great demo aircheck.  Knowing how the people doing the hiring tend to listen to these, here are the best tips I can give you:

1. Put your best thing FIRST.  Don’t make me wait to get to it.  Hit me with something great right off the bat.

2. Show what you do well, then show another thing you do well.  An “A” side, and a “B” side.  If you don’t have both, you lack depth.

3. Three to five minutes is probably enough.  Even shorter can work.  I once got hired by a PD in Chicago after he only listened to ONE break on my aircheck.  If you’ve got that spark, it’ll show.  If they need to hear more, they’ll ask.

The good news is that we now have more ways than ever to share or display air work – we just send mp3s, or post the audio on a personal website or Sound Cloud. A friend of mine recently posted his stuff on YouTube.

Hope this helps.

In a recent session, I went over a break the air talent had done with a nice message: how just saying “hi” to someone who’s been emotionally damaged or mistreated may be ‘revolutionary’ to that person.

But he loaded it down with too many examples before settling on that one gesture.  There’s a tendency for us to be like lawyers, “stacking up evidence” to fortify our point.  But you’re not paid by the example; you’re paid by the CONNECTION.

So whenever you could give a “laundry list” of examples, just choose one to draw a smaller, more precise target for the Emotion to center on.

A closer “sphere of vision” will bring out the more personal, visual, and emotional elements in your Content and its delivery.

One of the main things to keep in mind for any air talent is something that strikes to our very core as human beings: nothing is worse than being ignored.

If you’re on the air, but nothing you do or say really “grabs” the listener, it’s a waste of time.

Here’s a litmus test:  What stood out today about your show?  (Or any day’s show, for that matter?)  You should be able to think “Oh yeah, yesterday was when we did this…”

If you can’t recall something memorable from your show, neither can the listener.  We all know about stations who’ve been in a market for years, but with no real success.  Let’s not be one of them.

When you do something on the air that makes the listener think “Me too,” you hit the jackpot.  Memories and shared experiences aren’t just about what happened and when it happened.  They’re about the Emotions that people feel when they go (or went) through them.

This is why “interesting” isn’t the same as “relevant.”

When you tap into Emotions, you gain DEPTH.

Most of the subpar shows are just about things, data, facts, and “fluff” srories.  These are almost always boring.  But when an emotion is called up, people “lean in” with their ears.

Emotions are the goal of everything that we do.

One of the main arguments against radio today is that “people would rather watch TV.”  Or stare at a computer, tablet, or cell phone screen.  For our purposes, let’s just use TV as an example.

I watch an NBA game, and BETWEEN TWO FREE THROWS (!) they run a commercial.  (The game itself, of course, is shrunk down so that my 70-inch screen might just as well be the 24-inch screen I had in 1988.)  This is SO invasive.  Announcers in every sport talk right up to the moment a pass or pitch is thrown.

And baseball has been so ruined by TV directors that you see a pitcher, then – in the middle of his windup – they change cameras to show the batter, then another switch is flipped and you see a player field the ball.  They could all be from separate games, and you wouldn’t even know it.

And NFL games?  Don’t even start.

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If you’ve worked with me or read any significant amount of my stuff, you know that a lot of what I coach comes from the acting world.  Although he only lived to be 50 years old, Roy London has been a heavy influence on me.

A fine actor himself, over the last fifteen years of his life, Mr. London became one of the premier acting teachers in Hollywood, a profound influence on the likes of Sharon Stone, Jeff Goldblum, Hank Azaria, Geena Davis, and Garry Shandling, just to name a few.

One of London’s main tenets is “It’s all about Love.  Every choice comes from trying to connect with Love.”

Man, that is spot-on.  While some radio talents have had success being negative and snarky, the ones that most people hold dear are the ones who are consciously trying to connect on a human level.  And Love is the highest of human values. Continue reading →