In this era of voice trackers in one or more dayparts, multiple responsibilities that take time, etc. it’s not unusual for me to see stations where the morning team may have never even met, say, the evening air talent.
Although this might not seem to be an area for a talent coach to work on, it really is. I think it’s essential for all the people on the air staff to know each other, communicate with each other, and share with each other.
One of the main things I deal with as a coach is getting air talent to sound more natural. Especially to younger demos, sounding “like a disc jockey” isn’t what they want to hear. But that’s not all there is to it.
There are lessons everywhere, so here’s one with a visual aid. It’s a YouTube clip of Carole King and James Taylor doing her song “Will You Still Love Me Tomorrow”…
Two “old pros” pretty much knocking it out of the park, with what I think may be the best song ever written about teenage girl angst and hopes. King and Taylor seem totally relaxed and the performance feels very natural, but it’s also EXPERTLY nuanced.
People work hard to attain that level in both of those areas. So remember, it’s not enough to just be natural; there also has to be attention to Performance.
The Wizard of Oz is a magical film. Ostensibly a children’s movie, it’s filled with little “morality plays” about good versus evil, the use of power, family, friendship, and the choices we all make.
To me, it boils down to The Scarecrow or the Tin Man. One wants to be smart; the other wants a heart: Brains versus Emotions.
When you think about it, the Scarecrow stands out in our minds because of what we felt about him BEFORE he got brains. The Tin Woodsman cried (which rusted him up, and made him creaky), and as children watching it, we all cried. The lesson: There’s certainly nothing wrong with Smart, but Heart matters more.
Remember this the next time you open the mic. If you’ve left your heart out of the equation, you’ve missed the boat. If I listen for an hour, and don’t learn something about how you FEEL, that was a wasted hour.
With the way the so-called “News” is going nowadays, the easiest thing to do is to simply bring a subject up, then mock it or put a cheap punch line at the end.
But here’s the thing… radio – in ALL formats – owes the listener more than that. We’re primarily here to inform, entertain, or both. But I hear music formats that sound lifeless, Imaging in some formats that seems to be sneering in their delivery, “Content” that’s just celebrity gossip flotsam and jetsam, and Talk Radio shows that are just “adopting a posture” and spouting the same one-sided opinions every day.
Here’s a little tidbit I heard and wrote about years ago, but it bears revisiting.
The story is that Steve Jobs, in an Apple “think tank” meeting, challenged everyone with three questions:
If you want a real “mission statement,” that’s it. And it directly applies to radio. If we’re always thinking “What would be cool?” “What would be fun?” and “What would benefit the life of the listener?” we can’t go wrong.
I would back this up with three questions of my own:
As you develop your storytelling skills, be wary of getting too far off the subject.
I recall a Yankees vs. Twins baseball game a couple of seasons ago. The difference between the Yankees broadcast team (all of whom are excellent) and the Minnesota Twins broadcasters was never more evident than when a Twins announcer – during an inning – talked ad nauseum to a lady with a bird refuge. ???
I was dumbfounded. It served no purpose whatsoever. A way off target “human interest” interview that went nowhere and had me shouting at the TV. The only thing I could think to ask her that would have been relevant to baseball is “Remember when Randy Johnson exploded that seagull?”
(You Tube it if you haven’t seen it.)
It’s ALWAYS about the Story.
I remember a couple of seasons ago, a contestant on “Survivor” told about his getting back home after the show was taped just in time to see his mom before she passed away. Time just STOPPED as I imagined that scenario in my own life. (This is just one reason why Survivor has lasted so long.)
YOUR responsibility as an air talent is to make the story as concise and as easy and logical sounding as you possibly can. Survivor is the best-edited show in the history of television; a perfect model for film editors and writers… and storytellers.
You’ll know a great break, a great story, when it takes virtually NO editing to make a promo out of it.
Years ago, when I was inducted into the Texas Radio Hall of Fame, I found myself sitting with an entire roomful of radio legends. All sorts of “war stories” were flying around that room, and although there was an incredibly wide range of differing personalities, it seemed like we all had one thing in common:
Never Fear Bombing.
Every mistake you make will lead to getting better, because no one wants to make the same mistake a second time.
As a talent coach, I WANT you to jump, THEN see if there’s water in the pool. “Playing it safe” is for people who don’t have very much talent.
Now obviously, you shouldn’t do something that will get you in trouble with a client or the FCC. But those are the only cautions. DO something! TODAY.
My friend and partner John Frost posted this advisory recently:
Frost Advisory #491 – We live in an OPT-IN world
There is a phone in our home that we never answer. Seriously. A constant barrage of robo-calls and “Anonymous” caller IDs has left that phone to be no more than a nuisance. In fact, we no longer even listen to the voice mails because of so much time wasted checking them.
We live in an OPT-IN world, defined by Merriam-Webster online dictionary as “to choose to do or be involved in something.” If I didn’t give you permission to communicate with me then your efforts, automated as they be, will be met with an unanswered ring.
It’s a Top 40 “basic” mechanic: “Crunch & Roll,” which means that in a song-to-song music sweep, you want to hit the NEXT song, THEN talk, not “start early” over the end of the first song, and then continue blabbing over the intro of the next song.
It matters because when that next song begins, then you start, it “turns the page” – meaning that the listener can FEEL the Forward Movement. (Momentum.)