Tommy Kramer Tip #111 – Analytics and You

Professional baseball is heavy into analytics, often referred to as ‘sabermetrics.’ They study every player’s performance in every possible situation, and make decisions accordingly.

As a PD or air talent today, PPM is our new sabermetrics drinking fountain. With all the new analytics—being able to see exactly where people lost interest during a break, the ratio of male artists to female artists, where spotsets should go, etc.—it can seem like data is making all the decisions. (And that’s not even counting the importance of an actual social media strategy.)

I like math. I was the little kid who could rattle off baseball players’ stats. Analytics are fun—and if you need an example of how they can be used, look at that dramatic “three players on the right side of the infield” shift in baseball today that drives most batters crazy. That’s a direct result of analytics making teams better by being smarter. (And “the shift” just looks so cool.)

So dive on in! Use every single tool that can tell us what the audience wants (and what’s ineffective, too). Personally, I’ve made an effort to absorb as much as I can about the workings of PPM from people who are much smarter than me, with the sole goal of keeping on learning, moving forward, all the time.

However, from a coaching perspective, let me add this:
All the analytics in the world won’t help you be different, be original, or make that person in the car or office think of you as a “must” listen. You still have to MATTER to the listener, or you’re just the voice interrupting the playlist. More on that in the next tip.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Innovate the Pixar way

“The thing about working at Pixar is that everyone around you is smarter and funnier and cleverer than you and they all think the same about everyone else. It’s a nice problem to have.” – Andrew Stanton

playground

Authors Bill Capodagli & Lynn Jackson, in their book “Innovate the Pixar Way: Business Lessons from the World’s Most Creative Corporate Playground,” suggest that Pixar is a “playground” that will inspire you to:

– Dream like a child.
– Believe in your playmates.
– Dare to jump in the water and make waves.
– Do unleash your childlike potential

I don’t know about you, but I want to work in a playground like that!

One other Pixar secret is that they pay both the creative and technical people the same money.  They realize they are BOTH important to their success.  The greatest story you come up with isn’t going to do much if it isn’t translated through the technology.  Think programming and IT, or programming and engineering.

Everyone at your organization has a place and purpose, and if they don’t you need to get rid of them.  True leaders will understand the value of all, not just one.

 

Frost Advisory #265 – The Concession Stands Will Close After The Seventh Inning

I couldn’t believe what I heard the public address announcer say.

The game was still going on, there were fans still in the ballpark, but they were closing the concession stands!

What’s next, I thought? The restrooms will close in the 8th?

It begins ever so subtly. First, the restaurant limits its hours. Then it’s closed for lunch. Then it’s only open four days a week.

It’s a slippery slope when you start treating your customers like they are not important enough for you to stay open.

Which daypart do you treat like “no one is listening”? Overnights?

I know stations that have more listeners overnights than others have during the entire week.

Sunday morning?

That may be your greatest opportunity to connect with someone listening for the first time on the way to church.

Saturday night?

Andy Stanley’s ministry strategically buys television time immediately following Saturday Night Live because they want to reach people on the way home from the bars. At last check Your Move is viewed by over 700,000 people, more than but two Christian radio stations in America.

Legendary New York Yankee outfielder Joe DiMaggio was once asked why he hustled on plays that had little effect on a game’s outcome or on his team’s standing. Joe replied,

Because there’s always some kid who may be seeing me for the first time. I owe him my best.

Once you stop caring whether anyone is listening, don’t be surprised if others do, too.

dimaggio-best

Tommy Kramer Tip #110 – Seinfeld on the use of Music

On June 9th, 2014 at the Paley Center in New York, Jerry Seinfeld talked to David Letterman about his “Comedians in Cars Getting Coffee” web series.

About 19:25 into the interview, Letterman comments on the incidental music that moves “CICGC” from one point to the next. That’s where you see coffee being poured, Jerry and the guest walking into the diner, etc.

Jerry then compares using music in this show to using it in the “Seinfeld” TV show, saying “If you put music under a scene that has actual written narrative, it ruins the scene. But since this has no drive, no point, the music doesn’t fight with it and it just seems to kind of carry…(it) fills in the little gaps.

Now I don’t think that’s 100% true for radio, because our medium is a little different; we don’t have video to engage the listener. But I do think there is something to be said for asking yourself “Do I have a narrative?” “Does it need music?” “Am I talking over music when I should be just talking?” On a lot of stations, it’s almost getting to where jocks CAN’T talk without a music bed under them. Some stations even require it. (Bless their pointed little heads.)

I recommend using music when it’s appropriate, like a John Williams movie soundtrack – to heighten the mood or the drama of a given ‘scene’. But if it’s just generic uptempo Production music, used as a crutch to create an artificial sense of momentum (which it doesn’t actually do), you’re just trying to cover up the fact that you don’t have a narrative; you’re not telling a story.

Now that I think of it, maybe that would be a good bit in itself, taking real life, semi-boring or technical conversations about brake shoes or roof repair, and putting ridiculous music underneath them.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Frost Advisory #264 – A Declaration of Independence – From Mediocrity

239 years ago our country was born with a Declaration of Independence, and a subsequent Bill of Rights for all citizens to life, liberty, and the pursuit of happiness. But as Believers, we know that with rights comes responsibility.

Your radio station has the right to do anything you want within the parameters of certain legal, broadcasting, and financial regulations. You even have the right to be mediocre. Most Christian stations are just that.

But with every right comes a responsibility.

Yes, your station has the right to be just barely good enough to stay on the air, be just solvent enough to keep the lights on, and just legal enough to keep from having your license taken away. Yes, those are your rights. I challenge you, what are your responsibilities!

What if your station, instead of embracing the minimum, embraced the responsibility of setting the standard of excellence?

What if your station, instead of embracing the minimum, accepted the responsibility of unifying a community of believers?

What if your station, instead of embracing the minimum, accepted the responsibility of reaching out and meeting the needs of your listeners, and their neighbors, and their neighbors?

No church, no civic organization, no governmental agency in your city has the bullhorn to impact your community the way that your station does.

On this 4th of July weekend, let’s wave our flags, shoot off our fireworks, and sing our patriotic songs.

But let us not forget our responsibilities.

gov-for-moral-people

Inspired by Andy Stanley’s message “Younited States of America”, one of the most amazing talks I’ve ever heard.

If You’re Seeing Enemies Within You Need To Get Out

“Employers have gone away from the idea that an employee is a long-term asset to the company, someone to be nurtured and developed, to a new notion that they are disposable.” – Barbara Ehrenreich

20131012-115601.jpg

When you talk to a lot of people everyday, you can see things through different eyes.  Sometimes I wind up in conversations where someone is complaining…a lot…about distrust of the people they work for. It seems like there’s a return to the thinking of the past where employees are just cogs who are expected to unthinkingly follow directions. Remember the grey people from the Apple TV spot named “1984?”

But the new twist on this is that you must distrust them, and always make sure they aren’t taking advantage and are working hard enough. There’s even a business rationale for this – increased efficiency. The “do more with less” strategy.

Somewhere someone decided to write a business book about efficiency, taking the perspective people are lazy and could do more than they were. That concept was sufficiently simplistic and shallow enough that it became an instant “quick fix” success. Cutting the workforce by 40% became a badge of honor.

This has all but destroyed growth in radio. First PD’s were cut, and one was in charge of 3-4 stations. Then high paying talent that wouldn’t take a 50% cut. Then “unnecessary” executives, and finally, salespeople. So many of the top executives have replaced long-term concern for the industry with their own short-term financial goals. Leadership has been replaced with dictatorship, so naturally the answer to self-inflicted problems is to blame those shiftless employees.

We’ve divided into three types of organizations, (1) those who really don’t care about people, (2) those who distrust people, and (3) those who see a time like this as one to build great, people-oriented organizations that produce crazy good return.  Think Zappos.

The people I work with are amazing, dedicated, hard-working and even fun to be around.  We ALL know that we are all working toward the same end.  I don’t have a good guy/bad guy mentality.  If someone isn’t hardworking or dedicated, then it calls for some tough conversations and action.  I won’t subject my people to a cancer of dissatisfaction.

If you really think about the future, like Jefferson did, while acting in the day, you understand the value of talent, good leaders, and hard workers as an asset of the organization.  Not a liability, not a line item expense, an asset.  Spreadsheets don’t make organizations strong or innovative or valuable…or even failures.  It’s your people.

 

 

Tommy Kramer Tip #109 – Everything’s the Opposite

This tip is sort of dual-purpose…a guideline for Management and Programming, and how it should affect you as an air talent.

The late, great singer Harry Nilsson used to say “Everything’s the Opposite,” meaning that everything turns out to be the opposite of whatever it claims to be. That’s an exaggeration, of course, but there’s a lot of truth in it. (“Military Intelligence” and “free” offers come to mind.) Radio’s full of examples.

Let’s take a look at a few typical claims, and then the other side of the coin—what the listener thinks:

Your claim: “50-minute music hours.”
Listener’s thought: We can all add and subtract. Eventually you’re going to spew out 10 minutes of commercials.

Your claim: “No-talk triple plays.”
Listener’s thought: So when you open the mike, that’s a bad thing? Surely you didn’t intend to say that. Oh, and those recorded identifiers or Imaging pieces you play between songs? They’re TALK.

Your claim: “No-repeat work days.”
Listener’s thought: Wait a minute. That means that I’ll only hear my favorite song once in eight hours. So if I tuned in and only heard the end of it, I’m pretty much S. O. L. for the rest of the day.

I’ve heard jocks unthinkingly say “Hope you’re having a great day!” when there are snowdrifts eight feet high, and the roads are impassable.

And we’ve all heard stations use some form of “We care about you and your family,” but every contest winner they have is identified first as a number. (“Hi, you’re number nine.”) I don’t know about you, but I don’t assign numbers to my family members. “Have you met my sister, Number 7?” seems rather impersonal.

Why not just give up those empty claims and failed gimmicks? Make your station (and your show, on the air) about Values, and about being of service. People will notice. The only Positioning Statement you really need is the name of the station. Then PROVE what you are.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.

Who Can You Trust

“Trust is the lubrication that makes it possible for organizations to work.” ~Warren Bennis

image

It was over 15 years ago when I sat in the GM’s office for a performance evaluation.  I thought this one would be a breeze because I’d just brought a station to number one 25-54, and then number one 12+, and we had a graduated bonus plan – the better you do the more you make.

But when we got to that point he quoted a figure that was way off from what it should have been.  When I asked him about it, he told me if he followed his own bonus agreement it would be too much money.  So I got 60% of what I should have.

I was gone from that station in 6 months.  I could no longer trust the GM in  everything going forward.

Trust is a mandatory issue when you’re working with your “boss.”  If it isn’t there you’ll question everything he or she says.  You’ll think suspiciously of everything coming from that person.

You’ve probably been in those circumstances at one time or another.  It’s an unfortunate ailment of many.  But, have you ever wondered if you’re one  of them?

Many times I see people in charge who don’t want to address an issue, especially a “people issue.”  They’ll tell a little white lie like, “You’re doing fine,” when asked about performance.  Or they may avoid talking to someone about a problem, hoping it’ll go away.  Or there are the people in charge who just don’t respect their own people.

That may seen different than the guy who looked me in the eye and said, “Too bad, this is what you’re getting,” but those little things can erode trust just as much.

A lack of integrity is a lack of integrity, no matter how small.

 

 

Frost Advisory #263 – What We Can Learn From Chick-fil-A

Sitting in a drive through will never feel the same to me again.

My new friend David Salyers showed us around The Hatch, an entire building devoted to hatching innovation. The walls were covered with photos of some of Chick-fil-A‘s best customers. (Yes! They had invited them in and actually talked to them!) What a contrast to a radio station’s walls adorned with gold records and photos of artists.

At The Hatch they study the “Points of Pain”: those points that get in the way of a great customer experience. It could be waiting in line, a menu that is difficult to read, or waiting for an order. Anything that detracts from the Chick-fil-A experience they study, and work to diminish or illuminate.

Seems like we can learn some things from Chick-fil-A. What are the points of pain for your listeners?

Is it the songs you play that your listeners don’t love or don’t know? Is it a dee jay that blabbers on about things your listener isn’t interested in? It is lengthly spot breaks, endorsements, or fundraisers that irritate? Is it promotions that are boring and conveyed with all the emotion of a legal disclaimer?

If we took a lesson from Chick-fil-A, perhaps we’d not only eat mor chikin, we’d have more listeners.

chickfila-horn

Tommy Kramer Tip #108 – Good phone calls don’t just “happen”

This tip is specifically for music radio.

Good phone calls don’t just happen; you have to create an atmosphere that fosters them. When someone opens up his/her heart or fragility to you, that’s not an accident. If they thought you’d be rude or dismissive or not really listen to them, they’d never call you. And it’s not 1995 anymore. Nowadays, the standard throwing out a topic, then saying “What do you think?” just sounds like you want the listener to do the show for you. (I call this “using the listeners as props.”) To get really good phone calls, give me something to REACT to, and you can’t keep me from telling you what I think. You don’t have to ask.

A remedial lesson: How to put a call on the air

When you run the call, just say your thing & then cut to the caller’s comment. You don’t need “Hi, how are you” stuff, and you don’t need to say something like “Darren’s on the line…” (Where else would he be, on the toaster?) or “Jennifer has an idea…” We don’t “narrate” like that in real life, and we don’t “introduce” another person’s comment at the dinner table. And by the way, no one cares about the caller’s name, unless it’s a prize winner. (In Talk Radio, however, the name does serve a couple of purposes—to distinguish one caller from another, and to mention the city or area the call is from.)

The main thing that will set you apart is if you establish a really high standard for phone calls. Just because someone calls doesn’t mean they should get on the air. Like a film editor making cuts in a movie, if it’s not great, leave it out.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2015 by Tommy Kramer. All rights reserved.