Tommy Kramer Tip #201 – What TV Can Learn From Radio, And Vice-Versa

You would think that TV and Radio are like brothers or cousins, each putting out their product with an all-encompassing view of what the experience is like from the viewer’s or listener’s perspective.

And you would be wrong.

In reality, TV doesn’t care enough (if at all) about SOUND.  In my experience of coaching many television air talents, it’s pretty much all about what it LOOKS like.  The end result is usually a bunch of talking heads reading words from teleprompters that real people would never say in an actual conversation.  (“The alleged suspect was apprehended” instead of “they caught the guy.”)  But the time they could use to rewrite it gets spent on their hair and makeup.

Radio, for the most part, doesn’t care enough about the PICTURES it’s creating.  Sure, the best talents are all about “word pictures,” but way too often nowadays, in the era of voice-trackers that don’t even live in the market the station is in, they just put a “smile” in their delivery and read things.  Ick.

If TV personalities thought more about the WORDS they’re saying, they’d be more three-dimensional.  And if radio personalities thought more about creating a PICTURE in the listener’s mind instead of just giving information, they’d draw that listener closer every single day.

Just because you’re ON doesn’t mean that people are actually paying attention to you.  You EARN that.  Or not.  Your choice.

Frost Advisory #356 – The Search For The Silver Bullet

We added a new jingle package and our ratings went up!

We ran that new promotion and our ratings went down.

I know of a general manager that wanted to change the shifts of the deejays based upon weekly or monthly ratings.  I’M NOT MAKING THIS UP, as Dave Barry would say.

Our minds crave simplicity.  We crave the Silver Bullet.

“People are drawn to black and white opinions because they are simple, not because they are true.  Truth demands serious effort and thought.”
~Donald Miller

Correlation v. causation

“Every time we see a link between an event or action with another, what comes to mind is that the event or action has caused the other.”

That’s causation.

On the other hand “correlation is an action or occurrence that can be linked to another,” but “linking one thing with another does not always prove that the result has been caused by the other.”
www.differencebetween.net

Our desire for simplicity drives us to conclude that one thing causes another simply because they occurred at the same time.

Our biases cause us to value things we know, mostly things inside the radio station, and to undervalue what we don’t know, mostly things outside the station.

Successful radio stations strive not for answers that are simple, but answers that are true.

But, darn it, that demands effort and thought.

Tommy Kramer Tip #200 – The “Too Up” follow-up

In the last tip, I talked about a couple of challenges in being TOO “up” all the time on the air.  (Being told to “have more energy” is usually the cause of this.)

Just fyi, the “example” in the tip wasn’t really any specific morning team; it was drawn from several different teams I’ve coached.  (But it’s always interesting to see which of the people I work with will THINK that a tip was written about them.)

Here’s the follow-up. In just one or two sessions, this “shot from a cannon, everything at one constant energy level” thing almost always changes.

The biggest factor in trying to help anyone improve is the natural resistance to change.  But there’s nothing to fear if the motive behind it is simply to help you sound more three-dimensional and natural on the air.  The era of “presenting” and “announcing” is GONE.  The world is too full of shouting, noisy hype to believe anything done with that approach anymore.

In every way you can think of, make things more HUMAN.  Being a constant piston-engine, frantically energetic noise doesn’t REVEAL anything about you. And let’s be clear: the listener has to LIKE you, or he/she won’t listen.  There are too many other places to turn for information and entertainment to think that your station is going to succeed without being Personality-driven.

Radio will need to up our game to be valid as technology continues to change the landscape in terms of what the listener’s options are. But we’re still first in line for the listener’s time – IF we have Personality.

Seeing Beyond The Obvious

“John Glenn: Let’s get the girl to check the numbers.

Al Harrison: The girl?

Yes, sir.

Al Harrison: You mean Katherine?

John Glenn: Yes, Sir, the smart one. And if she says they’re good, I’m ready to go.”
(Exchange from the movie Hidden Figures)

Hard not to be impressed by John Glen, an original astronaut, and the first American to orbit the earth.  But his role in the movie, “Hidden Figures,” took it to a new level with me.  He didn’t see an African-American female; he saw “the smart one.”  Think about it; we were second in the space race.  The Soviet Union had launched a satellite before us and put a man into space before us.  We needed every edge we could find just to keep up, but still bright people were overlooked because of how we saw them.

We’ve progressed since then, but in watching the movie, I thought about how much we in leadership ignore what we consider “lesser,” whether it’s age, another department, thinking of people from the perspective of their position, and so on.  I mean, all the smart, creative people come from programming, right?

Interesting, when we too need every edge we can get right now.  Wherever you are, there are probably smart people playing a role who can help you become more than you are.  Who knows, maybe they will be the people that lead you into a new era.

By the way, this isn’t about the people who feel entitled, but about the people who feel they have a contribution.

There’s no magic about it, just look around you, and see what could be instead of what is.  Listen to how involved individuals are instead of what title they have.  People who are driven to success instead of those who think they deserve success.

It’s your job to make the hidden obvious.

Frost Advisory #355 – A Programming Lesson From Opening Day

Baseball fans get mushy about this kind of thing.  “Why Time Begins on Opening Day” is actually the actual name of an actual baseball book.  Best seller, don’tcha know.

It’s that ‘winter is over’ thing.  It’s that ‘hope springs eternal’ thing.  It’s that ‘we’re all young again’ thing.

“You look forward to it like a birthday party when you’re a kid.  You think something wonderful is going to happen.”
~Joe DiMaggio

There is a programming lesson for us here.

Ballparks on Opening Day are filled with people who may not attend another game all season.  The ceremonies include the introduction of players, the first pitch by a local politician, and a humongous American flag held up by the Boy Scouts or Junior ROTC.  In other words, one doesn’t have to know anything about baseball to have a good time.

Today is Opening Day for your station – for someone.  Most listening don’t know any more about your station than those Opening Day fans know about the ballplayers.

Andy Stanley poses three ideas that I think every radio station should ponder:

  1. Assume guests are in the room.
  2. What do they hear?
  3. What do they experience?

My friend Brant Hansen thinks about stuff like this.  That’s why he’s created a video and online guide for new listeners.  He wants to make it easier for a new listener to become a fan.

Time may begin on Opening Day, but what teams really want is for fans to come back again and again.

Tommy Kramer Tip #199 – Too “Up” Isn’t Real

I’ve been working with a morning show recently that only has one “gear.”  The male partner is “Ron Radio,” talking to the listener like she’s 20 feet away (when, in reality, the listener is just a couple of feet away, in the car).  The female partner, who’s new to radio, has what I guess a lot of people would call a “bubbly” personality.  And, of course, she’s unnaturally loud, too – following his lead.

The problem here is that their too loud, “way too up” approach doesn’t quite sound real.  And if you’re ALWAYS “up,” then when something really bad happens that you need to comment on – another school or mall shooting, or God forbid, another plane flies into a building – chances are good that it’s going to sound either sort of bi-polar, or insincere.

I cringe when I hear a PD tell a talent to “have more energy” or to “smile” when they talk.  This inevitably results in an almost “terminally giddy” sound, and you’ve got nowhere to GO from there.

You need lots of vocal and emotional “gears” so you can make smooth, believable transitions between different types of subject matter.  The minute I hear someone who’s too loud or too “up,” we start working IMMEDIATELY on fleshing out vocal approaches that convey all sorts of different emotions.  We already have too many “announcers,” and at least one too many Kathy Lee Giffords.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2017 by Tommy Kramer. All rights reserved.

Frost Advisory #354 – A Programming Lesson From Turner Classic Movies

Robert Osborne passed away last month.  One could say he was just a senior citizen who did nothing more than fill the time between old black and white movies.  They would be wrong.

“It’s always the personality between the content that makes the experience of the brand larger than its parts.  True in radio.  True on Turner Classic Movies: TCM”
~Mark Ramsey

The upcoming annual TCM Classic Film Festival in Los Angeles is dedicated to him.  Proof of the power of personality.  Proof of the power of an experience.

“I get stopped on the street all the time,” he said in an interview with The New York Times in 2014.  “People say: ‘You got me through cancer last year.  You got me past unemployment.  You take me away from my troubles.’  Exactly what movies did in the ’30s and ’40s.”

“Mr. Osborne appealed as much to moviemakers as he did to moviegoers… He got us excited and reawakened to the greatest stories ever told with the most charismatic stars in the world.”
~Stephen Spielberg

You have a choice.  Your radio station can be nothing more than generic liners and promos delivered by passionless deejays, or it could be what Mr. Spielberg infers, a compelling design of interesting people sharing a passion for the things your listeners love.

“A concert isn’t merely about the music, is it?  And a restaurant isn’t about the food.  It’s about joy and connection and excitement.”
~Seth Godin

At TCM Bob Osborne was about what their fans were passionate about.  The personalities on your radio station should be, too.

Tommy Kramer Tip #198 – What Team Shows Can Learn from “Curb Your Enthusiasm”

This tip is team show-centric, but it actually applies to everyone on the air.

What Team Shows can Learn from “Curb Your Enthusiasm”:

In every great show, there’s a thin wire to walk between being spontaneous, but still being aware of how it “plays” to the ear.  Larry David’s HBO comedy “Curb Your Enthusiasm” is a great example of how ensemble shows should work.

Everyone in that cast knows what the circumstance (the scene) is, but it’s not scripted.  They may not even have a concrete idea of exactly how the scene will end, but what made that show so successful, to me, is that they’re sensitive to those “don’t try to do more” moments.  That’s how you get that perfect form of being Consistent, but NOT being Predictable.

“Curb” is something every team show could study, learn from, and get better as a result.  You might want to re-watch a few episodes.

– – – – – – –
Tommy Kramer
Talent Coach
214-632-3090 (iPhone)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2017 by Tommy Kramer. All rights reserved.

Frost Advisory #353 – A Programming Lesson Learned From… “This Is Us”

“Why can’t there be a TV show that the whole family can sit down and enjoy together?”

Melissa Gilbert, who you know as Half-pint on “Little House on the Prairie,” responds to that question on NBC’s 90th anniversary special by saying, “Have you watched ‘This Is Us’?”

“I didn’t watch the show when it first came on air… but I kept hearing about it,” said the note from my talented friend Sara Carnes of The Fish in Cleveland.

“I heard ladies at work talking in the bathroom about what happened the night before, I saw screen shots on Snapchat from my friends talking it, Facebook posts, etc… people (mostly women) just raving about how incredible this show was they were watching.  Finally, after a few months I told me husband…  Ok, everyone is talking about how awesome this show is we gotta watch it.  Well… we sat down and watched one episode and couldn’t stop.”

Methinks there is a programming lesson for us here.

About Us

“Recognizable and relatable characters.”  [Your listeners should be able to relate to your on-air talent.  Not just passively consume, but relate.  What if “Me, too!,” was the listener’s reaction to every break?]

“Hope is a good thing… No matter how often these characters get rocked or how dark some of the story turns are, there’s still that strong element of hope that’s an essential part of this show’s DNA – a reassuring sense of inextinguishable optimism during difficult times.”

“United we watch: …At a time when the country feels divided, this feels like the type of network show of yore that we watched together.
~”10 Reasons Why ‘This Is Us’ Has Emerged as a Hit for NBC,” by Mark Dawidziak, The Plain Dealer

“Wow, every single one of these reasons relates to us in what we do at the station too.  This is how we win,” Sara says.

“This is us!” could be what your listeners say about your station!