By far, the thing I get asked about the most in coaching sessions is Show Prep.
First of all, if you use a “prep sheet” service, throw it away. Generic subject matter, getting generic (if any) response is fool’s gold. And unfortunately, it’s rampant. People sitting at the computer trying to choose a subject and somehow “make it matter” is lame and boring. Continue reading
This is something to learn, albeit from a bad source. The next time you’re watching TV, turn the sound off. Now just watch the person onscreen.
You’ll be amazed at how much “over the top” acting is evident. Exaggerated facial expressions; flamboyant, overstated physical movements; “surprised” reactions that almost look like you’re watching some ancient silent movie.
After one of my recent tips came out, my associate and friend John Frost sent me an email saying: “When I was at KHTR in St. Louis, I hit a little slump in my on-air performance. My Program Director suggested that I create a “best of” tape and listen to it every day on my way to work. That way, I would have an objective reference point to what I did well, and it would help build my confidence since I was listening to my own work.” The thought was “Yes, I can do this because I’ve done it.”
Konstantin Stanislavski was the father of “method” acting. Practically every actor since Marlon Brando in the 1950s has read and/or studied his writings and techniques.
One of his main tenets is “Talk to the eyes, not the ears.”
It’s all about making things visual. If I can visualize it, I can crawl inside it, emotionally. But if it’s just “ad copy” or doesn’t bother to engage me visually, it just goes by unnoticed. Or it’s noticed, but not in a good way. It’s just noise.
“You can have a family member flown in for Christmas” is sort of generally visual, but “Imagine eating Grandma’s recipe with Grandma…” is very visual. Then, “We’ll fly her in!” adds another visual component.
Think “what does this situation (or this behavior) look like?” and you’ll be on the right track to stand out in the sea of disc jockeys reading crap off a computer screen.
Recently, my brilliant friend and associate John Frost wrote a column that struck gold. While he was specifically addressing Contemporary Christian Music stations, I believe his points resonate with every format. Here’s part of what John said:
When you think about the people that have had the greatest influence on your life, I reckon you’d say they were GIVERS. Continue reading
Like Dracula, Godzilla, and Freddie Krueger, the rhetorical question disease is popping up again. My crusade to kill off weak, obsequious questions and make stronger, more revealing statements, has apparently faltered. I could give up. But… no.
Quick review…
In the old days, we got listener reaction on the phone. But now, with social media, a lot of input comes from Facebook, etc.
The result is hearing “Jim says…” or “Samantha said…”
Faceless names. I know nine people named Jim. Which one is he?
Radio is all about telling stories. But I keep hearing people repeat things all the time on the air. What a drag.
IF you repeat something because you’re pounding a point home, that’s okay. (It was a huge part of George Carlin’s act. Chris Rock does this to good effect, too.) And repeating things is a good tool to use if you’re talking to a 3-year old.
But repeating something just because you’ve forgotten that you already said it, is NOT okay.
As anyone who took a first-year Speech class in college knows, unconscious repetition is a bad habit. Saying things ONCE is the best and most efficient way of telling a story.
Tighten it up. You might – dare I suggest this – actually rehearse it beforehand, instead of just fiddling around hoping it all just magically works out somehow.
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Tommy Kramer
Talent Coach
214-632-3090 (mobile)
e-mail: coachtommykramer@gmail.com
Member, Texas Radio Hall of Fame
© 2022 by Tommy Kramer. All rights reserved.
Little things matter, because the listener is continuously forming an opinion of you as he or she listens.
One overlooked deejay thing is what I call “The Echo” – where you say the title of a song the last thing out of your mouth, then the song begins by singing that title. “Why would that matter?” you may ask.
As air talents, we get handed some pretty unwieldy things to put on the air sometimes. Even with the best of intentions, sometimes a contest or promotion is written up as awkward sentences that no human would ever say to a friend in a real-life conversation.
So let me help you with two thoughts – one from the great voice acting coach Marice Tobias, and the other from the amazing British character actor Charles Laughton. Here they are, in reverse order: